Tuesday, May 19, 2015
With the evening purse canvas safely at the finisher and another project out of the way, it's finally time to tackle the project I've been wanting to do for some time. Liz Goodrick-Dillon's Nutcracker Christmas stocking arrived at my LNS, and I'm itching to get started.
The design area is about 10-1/2 inches wide by 21-1/2 inches long, so it's going to take quite a while to stitch this piece. But I've admired it for a long time and it's perfect for its future recipient.
I'll be back with a progress report when I have some significant stitching to show for myself!
Sunday, May 10, 2015
Happy Mother's Day to all you moms out there!
The inspiration for this design was my own mother, who raised shopping to an art. She once spent three hours cruising a mall, finally emerging with a single pair of stockings. The only person who could match her shop-for-shop was my youngest son, who inherited the shopping gene that had eluded me.
This piece was stitched in DMC cotton floss, Kreinik metallics and DMC Medici wool in French knots for the hair.
Wednesday, May 6, 2015
Why this photo showed up sideways, I don't really know. What matters is, I've completed stitching on the evening purse and it's ready for the finisher!
The pattern, a variation of a Maggie Lane design, was worked in five colors of Vineyard Silk Classic and two colors of Kreinik metallic braid on 18-ct. canvas. It was stitched completely in basketweave to keep the snag factor to a minimum.
I'll be sure to show a photo of the finished purse when I get it back!
Thursday, April 30, 2015
On a trip to my LNS last weekend, I hit the jackpot: every thread I needed to finish this project was in stock!
All of the colors are now in play. Vineyard Silk Classic Ocean Wave has been added to the center of the royal blue octagons, while VSC Reef Waters is at the center of the jade octagons.
The top six horizontal rows represent one side of the purse. Slowly but surely, I'm making my way to the bottom of the canvas!
Wednesday, April 22, 2015
Still working from my stash, I finished off the last of the Kreinik #12 tapestry braid #033 (royal blue) inserting the "spokes" inside the jade octagons. I then moved to the royal blue octagons, stitching the spokes in these with Kreinik #12 tapestry braid #014, a watery blue.
My stash yielded enough of this thread to finish off the entire canvas--front and back of the purse. I also finished stitching the small intersections between the octagons with Vineyard Silk Classic Spray. Two less threads that I need to buy!
I'll work on the centers of the octagons to gauge how much thread I'll need before my shopping trip.
Saturday, April 18, 2015
This past week was a busy one, with a Needlepoint Now deadline to meet, some canvases to paint, and more than one project to stitch. But a good start has been made on the purse project!
It's being stitched in basketweave in sea glass colors with Vineyard Silk Classic and Kreinik #12 tapestry braid #033 so far. The larger octagons were worked in VSC Celestial (royal blue) and Cascade (light jade) with the smaller intersections in Spray. The top of the canvas to the bottom line of completed octagons represents one side of the purse.
Working from my stash, the Celestial and Cascade threads have been exhausted, but I at least know how much more I'll need to buy on my next trip to my LNS. There are more sea glass colors in my stash that will be added later
Friday, April 10, 2015
I know--this doesn't look like much--but it's the beginning of an evening purse I'm stitching for a wedding in the fall. When it's finished, it will be folded in half to form a soft purse approximately six inches square.
The pattern is a variation on one I found in Chinese Rugs Designed for Needlepoint by Maggie Lane, one of my all-time favorite designers. I've lost count of the number of pillows I've stitched using center medallions and corner motifs from the rug designs in some of her books.
I'm pretty handy at counting--after all, I'm a stitch painter--but I prefer to have the piece I'm going to work on already painted on the canvas so I can sit back and leisurely stitch. It's a lot easier to paint over a mistake made in transferring the design to canvas than it is to rip out a bunch of stitches!
I'll be back from time to time to show my progress on this piece!