The Nobuko background continues to grow, now reaching just below the arm of the angel's chair. Time to give her a face!
Three shades of DMC floss were used for all the skin tones, with two strands of Burmilana forming the eyelashes.
With mostly white, gray and brown tones used to paint the tan canvas, it's sometimes difficult to decipher where one design element ends and the next one begins. Working the background helps to delineate the contours of the angel's wings, while stitching her face and arms gives me a better idea of where the lines of her dress fall.
1 comment:
You're making great progress on this.
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